
Some things just need to be heard properly. I don't impose on your sound — I extract what's already there.
Mixing and mastering.
Fold, London.
Very often the most prominent memory we have of an important time in our lives is the music we were playing at the time.
Music invokes memories and memories invoke music. Each and every part of a mix should be in service of this interdependence. After good writing and finding the right arrangement, nothing has a greater impact on this than achieving the right balance.
This balance is an evolving thing that ensures the right emotional focus in every moment. It's a journey. To go on it we have to step back and experience all the parts as one, not just as a collection of sounds.
Very often the most prominent memory we have of an important time in our lives is the music we were playing at the time.
Music invokes memories and memories invoke music. Each and every part of a mix should be in service of this interdependence. After good writing and finding the right arrangement, nothing has a greater impact on this than achieving the right balance.

Not the version that sounds like the last ten records you loved, but the version only this one could be. References are useful until they become a ceiling.

This balance is an evolving thing that ensures the right emotional focus in every moment. It's a journey. To go on it we have to step back and experience all the parts as one, not just as a collection of sounds.

On a club system, on a phone speaker, at 2AM or at midday. There's no correlation between how loud a record is and whether anyone remembers it. Optimisation, not maximisation.
It's not a talent problem, it's a distance problem. Sometimes you just need someone standing further back.




“He doesn’t just make things sound ‘better’, he listens to what the record is trying to be and finds ways to bring that out.”
— Samantha Togni